Star Trek Picard – Series 1, Episode 10 – It’s just shit

It’s taken me a while to get around to writing this review – I’ve been putting it off, because quite frankly I’m just glad that this series is over and I don’t want to spend any more time on it.

This final episode ultimately epitomised everything that was wrong with this series. I think all of the main things that have been bad about the previous episodes were in this one too. Because of that, there was no one main thing that was wrong with this episode, and so nothing that I can focus this review on – I’m just going to have to go through everything in order. So here we go.

At the start of the episode, Seven and Elnor are talking, and Seven says that the ex-Borg have no homes. This is odd, because the convention up until now is that de-assimilated Borg go back to the civilisation and planet that they were originally from. Sure that might not be an option for some people, as the Borg might have destroyed their home planet and the entire civilisation on it, but then there must be other ex-Borg from the same species, with whom they could start a colony – something which happens all the time in the Star Trek universe. Or they could even just join the Federation – there must be loads of Federation worlds that would have them. I get that the point of this series is that the Federation became closed off, but that was to Romulans, not just everyone.

Similarly, Seven says that she has no home. Err … Earth?

Narek makes his way into the Borg cube, where his sister greets him with a knife to the throat. Why? I get that these two are adversarial, but she knows it’s him doesn’t she? These two characters are weird – most of their conversations are quite incest-y. I can’t tell if they hate each other or want to fuck each other.

Shortly after that we hear a bit more of Narek’s backstory, from Narek himself. He’s rather pleased that he’s the one who found all the robots, and describes himself as ‘The Zhat Vash wash-out.’ … err … Can you leave the Zhat Vash? Surely they’d kill you – they seem like the sort of people who would kill you if you left. Also, has he left? The entire series he’s been doing stuff for the Zhat Vash? This show not only contradicts canon established by previous shows, but also things from earlier episodes!

We get a bit of chat between Picard and Soji at this point in the episode. They try to talk philosophy, but the writers aren’t capable of it, so a lot of what they say is just gibberish, but at one point Picard says ‘To say you have no choice is a failure of imagination.’ – no, this show is a failure of imagination.

Speaking of imagination, we get a weird scene between Rios and Raffi where they try to fix their ship. All of the dialogue in this scene is weird. Santiago Cabrera once again sounds like he’s reading his lines for the first time, Raffi is just insufferably patronising as she tries to get Rios to use the imagination tool thing to fix the ship. In this situation, Raffi obviously would have no more of an idea of how to use this tool than Rios would, but somehow she still tells him what to do with it.

This whole scene is completely unnecessary. What does it add to the episode or the series? Nothing. The imagination tool is just a deus ex machina tool. It can apparently do anything at any time with no constraints on materials or power. You don’t even have to learn how to use it. How does it work? We don’t know. Did the robots know? How did they make it? Did they make it? Where did they get it from? Seems like it would be good to have a lot of these things about. Are any of these questions going to be answered? No? Okay then.

Also, the imagination tool sends out these Borg-like tubes to fix things – is that a deliberate reference? If so, to what? How did these robots get a Borg device like that?

Throughout this episode we get a lot of very unsubtle foreshadowing that Picard is going to die and get put into this artificial body that they’ve been building. But … why are they even making that body in the first place? Apparently Soong and the other robots have been making this body, but … why? Who was it for? Was it for Soong? He was the only human there when they started building it, so it must be – does that mean he has to give up a new body so that Picard can have it?

Narek goes to the ship where Raffi and Rios are. He tries to get their attention, and when they ask what he wants, he says he’s ‘Trying to save the universe.’. No, just no. Fuck off with that. This is a problem that’s endemic to science fiction nowadays – people aren’t just trying to save a person, or a group of people, or a civilisation, or a planet, or a star system, or a galaxy – no, they’re trying to save the whole fucking universe. Stop. Putting. This. Line. In. Stuff. The story isn’t made more grand and epic by adding this line – you don’t raise the stakes, because no-one can really imagine this. This doesn’t increase the tension, it just makes the characters needlessly melodramatic. You know what actually raises the tension? Putting characters who we actually give a shit about in danger. Make us give a shit about the characters, and then put them in danger. Just having a character exposit the end of the universe does nothing.

It’s also completely inconsistent with what we’ve found out so far in this series. If this super-advanced AI does arrive, then they threaten, at most, all of our galaxy – there has been no mention of them going to other galaxies at all. So no, Narek, you are not saving the fucking universe.

I also noted down at this point in the episode that it’s very hard to believe that both Narek and Elnor are Romulans. This isn’t necessarily a bad thing, as it can just show the variety that there is to Romulan culture.

Narek’s telling of Ganmadan is fun, but the fact that the imagery here isn’t better shows that these aren’t very good writers. Also, this series would have had more tension as a whole if we’d heard this story far earlier in the series.

Narek says ‘And the fascinating thing about history is … it always repeats itself.’ No, Narek. No it doesn’t – it sometimes repeats itself. This is the kind of bullshit profound I expect on Twitter, not in Star Trek.

Jurati’s plan to help Picard escape seems to consist of just unlocking the door. They walk the six miles back to the ship pretty quickly.

By this point in the episode, I think most of the main characters know that genocide is imminent, but considering this they are not panicking nearly enough. Apparently they are all going to die in a few minutes, along with the people on a lot of other planets (it would seem), but no-one’s panicking – why is no-one panicking? This is partly why this episode has no tension, despite it being a ‘save the universe’ plot. The characters are about the same level of bothered by this as not being able to get a clue on a crossword.

We have some more bullshit profundity from Picard. He says ‘To be alive is a responsibility as well as a right.’ … Jesus fucking Christ. That might sound like the sort of thing that would go on a cheap inspirational poster that someone shares on Instagram, but this is actually quite a dark statement. The implication of this statement is that unless you, as a life form, do not carry out your “responsibilities”, then you don’t get to be alive. (This also shows why the word “responsibility” is vague, meaningless, and only really used as a way to get other people to do things regardless of how right or wrong that thing is, but that’s a rant for another blog post.)

Jurati says ‘Make it so.’ to Picard. How the hell does she know that he says that? This line is one of many that just serve as a shallow attempt at fan service by going ‘LOOK! SHE SAID THE THING! SHE SAID THE THING THAT HE NORMALLY SAYS! REMEMBER THAT? HE NORMALLY SAYS THAT! REMEMBER THAT! REMEMBER THAT BETTER SHOW THAT YOU COULD BE WATCHING!’ … You know what’s actually fan service? MaKiNg A gOoD fUcKiNg ShOw!

Down on the planet, Soong and the others are trying to stop all of the androids from doing whatever it is they’re doing. He goes up to Sutra and uses some device on her that knocks her out. He only uses this device ONCE. They then try and fight the other robots off by hand.

Back on the ship, Jurati says to Picard ‘Are you not answering to build suspense?’ – I suppose this is an attempt at a funny meta-line, but it doesn’t work. In order to break the fourth wall (or in this case, dent it), you first have to establish that there is a fourth wall by making your show immersive, which this show is not. Too often in this show the thoughts of the characters blur with the thoughts of the writers, which makes a meta-line like this just look like bad writing.

On the Borg cube, Seven has a gun pointing at Rizzo, and for some reason she doesn’t kill her straight away. There is no reason for this. Rizzo then somehow just pushes Seven’s gun aside, and they fight.

Throughout this entire episode, Commodore Sunglasses is the only Romulan we see on the Romulan ships – I guess they just didn’t have the money for more.

Picard and Jurati just fly around in front of the Romulans for a bit, not really doing anything.

Jurati also knows about the Picard manoeuvre. How? I get that it’s famous, but is it so famous that people outside of Starfleet know it? The only military manoeuvre that I know is the pincer manoeuvre, and that’s been around for millennia. This is just more desperate fan service.

Picard gives Soji a call on Zoom. Soji is not surprised to learn that Picard has left the village.

Up in space, Commodore Sunglasses says ‘Ready planetary sterilisation pattern number five.’ … apparently planetary sterilisation patterns one to four are not suitable in this case.

Back on the FaceTime call, why does Soji give a shit about Picard dying? When she first met him, she didn’t trust him. Have we ever actually been given a reason why she changed her mind? When did she change her mind? It all just happens because the plot requires it.

They activate the beacon, and it turns out it’s not just a beacon that sends a message, it opens the portal from Avengers Assemble. Jesus fucking Christ – check your fucking script! Make. Sure. You. Know. Whether. It’s. A. Portal. Or. A. Beacon. They. Are. Not. The. Same. Thing.

Also, the portal is now red when last time it was green.

The Starfleet ships arrive, and they look like they’ve just been copy-and-pasted in Blender.

We get about a minute of back-and-forth between Riker and Commodore Sunglasses, and for a few brief moments, the show actually feels like Star Trek. Jonathan Frakes is still great. If we had a whole series with him as a captain of a star ship, it could be amazing (though, without any of this Discovery / Picard style writing – I don’t want another classic character to be ruined).

Picard’s brain problem spontaneously flares up again, and honestly it has better dramatic timing than most of the actors.

Very slowly, the super-beings are making their way through the portal, and apparently they’re just tentacles – not what I was expecting.

They manage to close the portal again, and the super-beings just decide to go back into it. Apparently even though they’ve been summoned, ostensibly to rescue the androids down on the planet, they decide that since the portal has closed they must not need rescuing.

Picard dies, and the rest of the characters just mope around for a bit. Seven of Nine says that she intended to never again ‘kill somebody just because it’s what they deserve’. What a weird thing to aim for.

Okay, this next one’s harsh – maybe too harsh, even for me – but Evan Evagora is not an experienced enough actor to pull off that short scene with him and Raffi. Now, I like Evan Evagora – he’s got some great pictures on Instagram – but he doesn’t have a lot of acting credits – only two before Star Trek Picard. Now this alone isn’t a bad thing – in fact I quite like that the show was willing to give out some parts to less-experienced actors – it helps them to get going in the acting world. This short scene is very cringe-worthy, and I actually blame the directors for this, because if you as a director get an actor to do something, and it’s obvious that they can’t really perform that way yet, do the scene differently.

Anyway, we then learn that Data has actually been alive all this time, inside a simulation, for about twenty years. Why did they leave him there? They’ve been building all of these other android bodies, why not make one for Data?

Also, considering how good Brent Spiner is at playing Data, they should have had a lot more of him in this series.

Data says he wants to die again, and he says ‘Mortality gives meaning to human life.’ No, no it doesn’t. This line kind of highlights what’s wrong with this show – Picard is supposed to be a philosophical character, and Star Trek is supposed to be a philosophical show, but you can’t have that unless the people writing it are very intelligent.

Anyway, they transfer Picard’s memories into a new body – I’m not sure what kind of body this is – the show doesn’t seem to understand that a biological android is just a fucking human, but it seems to want to think that somehow they’re still robots – I don’t know – it doesn’t make sense. But something that other critics have said is that this new Picard isn’t Picard – the real Picard died when his body died. And this is an important point: is a copy a continuation? If this were classic Star Trek, this idea would have been explored, but since it’s not classic Star Trek, it isn’t.

The characters are fine with it anyway – they all seem to consider this new body with Picard’s memories to be Picard. I did wonder though – what did they do with the old body? Did they just dump it in the trash? We don’t see the other body at any point – itself an odd choice for the show to make. Perhaps they just wanted to ignore the philosophical implications of all of this.

In the end, Picard has no brain problem, and Data is still dead, so basically nothing has changed since the start of the series. (Because this series chose to make Picard’s brain problem into a thing – they could have just ignored it any no-one would have noticed.)

For about half a second just before the final shot of the series, there’s a brief lesbian moment between Seven and Raffi. This really pissed me off. It’s so fucking weak. You don’t get representation points for lesbians holding hands – it’s not 19-fucking-95 – it’s 2020. Two decades ago you got points for that, but not now. If you want credit for having lesbians in your show, put them front and centre – make the main two characters lesbians, THEN you get credit for it. Either put them front and centre or don’t bother at all. Ambiguous sentences and people in the background holding hands is just fucking weak.

And then at the end, the ‘gang’ is about to go off on some other adventure. It’s not obvious why they decide to do this. But more importantly, what’s actually going to happen to all of those androids down on the planet? They can’t just be left there – the Romulans would just come back. In the end, we have no idea what happens to the androids, which was the entire point of this story.

It’s just astonishing how much of this episode made no sense – not just in terms of the wider context of the Star Trek canon, but in terms of things this show said earlier in the series. There is no consistency; there is no coherence.

I was optimistic about this series – I was optimistic that it wouldn’t have the same problems that Discovery had. But while it’s not quite as bad as Discovery, it’s obvious from this series that the showrunners have a critical error in their understanding of what Star Trek is supposed to be, and a complete inability to do world-building, separate their thoughts from the thoughts of the characters they are writing, understand character motivations, write natural dialogue, build suspense, or have any philosophical ideas that are distinguishable from what Inspirobot chucks out.

The acting in this show is sometimes good, sometimes repulsive. The CGI is mostly alright, with the occasional copy-and-paste. The music is forgettable, but inoffensive. But the writing is an absolute clusterfuck. This show is a complete failure of writing, and the only value it has is as an example of what not to do.

I gave Star Trek Discovery a second chance, and watched the second season. Star Trek Picard is getting no second chance – that’s it, this show is dead. In fact, after three awful series’ of television, I’m tuning out of modern Trek. There is just no point watching it, and until there is a complete change of writing philosophy I’m not going to watch any more modern Trek. Other shows deserve more of a chance; modern Trek goes to the back of the line.

Star Trek Picard – Series 1 Episode 4 – I guess this is the level we’re working at

Hmmm. I liked this episode, but I have five pages of notes on it – that’s a lot more than usual. They’re all quite disconnected, and I think the only way of going through them is to go through them as they appeared in the episode.

Firstly, I liked the planet Vashti. This was actually the main reason why I liked the episode. I thought the look of the planet was very well designed – it was very distinctive. The whole opening sequence was set on the planet, and I think it was very immersive.

It was also nice to hear some Romulan. As much as I can’t stand Star Trek Discovery, one of the few things I did like about it was the inclusion of a lot of Klingon. Having characters speak in alien languages in a show adds to the realism. It creates more of a sense that these alien races are real and have real cultures.

The next point in my notes is that the dialogue in the show is still very, very unnatural. This is something that came up A LOT in the episode – I’ll return to it later with specific examples. So often the things that the characters say are not the things that any real person would say at that point in a real conversation. It’s jarring.

Another quick aside, Ian Nunney, who plays the young Elnor in this episode, is outstanding – he’s better than many of the older actors.

Now we get to some bigger points. The character of Dr. Jurati, who in previous episodes I quite liked, in this episode spontaneously becomes completely obnoxious. She has a conversation with Chris Rios, the captain of the ship they’re all on. She opens with ‘Space turns out to be super-boring.’ while something very interesting happens behind her. I don’t know about anyone else, but to me the idea of getting to look out of a ship as it’s travelling faster than the speed of fucking light sounds pretty fucking amazing.

After Chris Rios says something that’s full-on fucking edgelord, she says sarcastically ‘Well that’s not a conversation killer at all.’. But while what Chris Rios said was a bit weird and trying too hard, it wasn’t a fucking conversation killer – it had the potential to be quite interesting. What was a conversation killer, Dr. Jurati, was you listing off stats about the galaxy. See what I mean about this show having really weird dialogue? The show is trying to be banter-y, but the writers have no fucking idea how to write that.

It occurred to me while watching this episode that Dr. Jurati is basically just Tilly from Star Trek Discovery. They’re both nerdy; they’re both awkward; they’re both hyper-positive. They both just go up to people and start talking to them. They even have many of the same facial expressions. While I didn’t dislike Tilly in STD, is new Star Trek capable of writing any other kinds of character? This is just what non-nerds think nerds are like.

On the subject of obnoxious characters, Raffi is endlessly annoying. She can never let anyone else be right – she always has to correct them, often with patronising incredulity – particularly if anyone dares to infer what she might mean by something she’s said. It’s infuriating to watch, and I think it’s both a writing problem and an acting problem.

It’s become evident that this show is trying to assemble its ‘gang’. This is a concept that’s very familiar from shows like Avatar: The Last Airbender – your main characters form a group that goes around from place to place and adventure to adventure – each person in the group has distinctive personality traits and abilities (so that they all depend on each other), but they work well together as a group, even if some of them don’t get along sometimes.

The problem is that having a ‘gang’ like this depends on having likeable characters, and only Jean-luc is likeable out of this lot.

Anyway, we had some more stupid dialogue. Dr. Jurati says ‘Anyone else think the Way of Absolute Candor sounds potentially annoying.’ Oh ha ha very funny but no. That actually sounds pretty fucking convenient. What is annoying, however, is you.

Raffi says ‘Your basic impenetrable shield of orbital killer drones.’ – Who the fuck wrote this? A fucking five-year-old?

Elnor is just an elf from Middle Earth. Even the name ‘Elnor’ is pretty fucking elvish. Picard even asks him ‘Will you bind your sword to my quest?’ at one point – this is just Lord of the Fucking Rings!

While on the subject of Elnor, it’s annoying that when he and Picard meet for the first time after about fourteen years, we don’t get to see their initial reactions – it cuts away. This is something that seems to happen a lot in film and television nowadays, and it’s very annoying.

Not-quite-finally, another thing that I really didn’t like about this episode was the portrayal of many of the Romulans on Vashti. The Romulans weren’t very Romulan. In The Next Generation, the Romulans are of course militaristic, but they are also pensive, cunning, cautious, and sly. That makes them unique among the enemies of the Federation, and very ominous.

All of that is gone here. In this episode, they’re just space thugs. Why does every alien race in new Star Trek seem to become space thugs? It’s the same thing that happened with the Klingons in STD. It’s as though the writers of new Star Trek can’t conceive of any other form of evil than thuggishness.

On this same point, the actor who played the former Romulan senator clearly has never seen classic Star Trek. He has none of the presence that previous actors who’ve played Romulans of that kind of status had.

And then finally … Jeri Ryan’s still got it. The five seconds of her that we got at the end of the episode were better than the rest of the fucking episode. What is it about these actors from older shows that means that they’re just far better on screen? I’m not completely sure, but I think it’s probably that they can do performances with subtlety. The two or three facial expressions that we got from Jeri Ryan at the end of the episode were more engaging than any line said by any other character in the whole forty minutes.

So when I say I enjoyed this episode, I mean that it was engaging to watch, but it was also punctuated by lots of very annoying moments. In that regard it was similar to all of the episodes we’ve had so far – it looks like this whole series is going to be filled with these annoying moments.