Star Wars: Episode VI – Return of the Jedi – Review

As with the last two posts, this post isn’t going to be about meticulously analysing this film in order to explain why different things work or don’t work – it’s just going to be about making observations.

I think this is a lot of people’s favourite film out of the six. I think this is the most variable out of the original three – there are some moments that I really like, and some that I really don’t like.

I like a lot of the world design in the opening sequence. Jabba the Hutt being a giant slug was of course a change from the first film, and I think it was an excellent change. Jabba is delightfully disgusting, and even though he’s just made of rubber, they manage to add a lot of expression to his movements. I also like the fact that, when they’re on the leisure barge by the Sarlacc pit (the Sarlacc is another great bit of world design), and chaos erupts, at the first opportunity Leia strangles Jabba with the chain she was restrained by. She doesn’t wait to take action – she sees an opportunity and takes it.

The Mon Calamari are also good world design – a very unusual-looking alien, but again, they manage to make the Mon Calamari very expressive. (This was something I really liked about Rogue One too, where I assume all of the Mon Calamari were pure CGI. They really managed to make the Mon Calamari expressive in that film, which just shows what you can do even when limited by a non-humanoid face.) Though it is funny that ‘Mon Calamari’ is literally ‘my squid’ in French.

I think one of the real stand-out aspects of this film is the Emperor. We learn early in the film that the Emperor is coming to the new Death Star, and the general nervousness that the other characters have about this builds the air of power around the Emperor, and builds the tension. Later in the film, of course, we get the first scenes with the Emperor. I like the fact that he appears as this old, cloaked man. The fact that he does not try to show how powerful he is through his appearance makes us realise that he must be very powerful. It also makes it look as though he has been around for ages – that he is this immovable, mystical being who has dominated the galaxy for millennia. (Of course, we know that it’s only been a few decades – the point is the aesthetic shows a kind of permanence.)

Ian McDiarmid is of course brilliant as the Emperor – as he was (or by the point of view of when this film was made, will be) in the prequels. Every line he delivers is excellent. I’m very glad that he was able to be in both sets of films, as it makes for great continuity.

As for the things that I don’t like about this film, one of them is the speeder chase through the forest. The whole thing feels like filler. It goes on for a long time, and the entire time, we don’t really get a sense of where the Stormtroopers are actually trying to go. They never seem to escape the forest, and they change direction so many times that they must have gone in a circle by the end. This is also a world where they have long-distance telecommunication – I’m not sure why they needed to jump on speeders and go and tell someone in person. The whole thing seems unnecessary, and I don’t think it really adds anything to the film.

I also dislike the Ewoks. I’m sort of amazed that there aren’t more people who dislike them. A lot of people can’t stand Jar Jar Binks, and yet I think the Ewoks are far more annoying. A lot of people dislike the obvious merchandising of Star Wars too (I myself don’t mind it too much), and the Ewoks are an entire merchandise species. A LOT of time in this film is spent with the Ewoks, and I think the only thing I like about it is C-3PO’s interaction with them, being ordered to pretend he’s a deity.

All of the Star Wars films have missing or wrong character reactions – the prequels have more of them, but the originals have them too. In this film, I think Leia’s reaction to finding out Vader is her father is not strong enough. Leia was a member of the senate for years, and Vader was her enemy throughout. Vader imprisoned and tortured Leia. I’d’ve thought after all of that, her reaction to finding out he was her father would be a lot stronger.

The way they talk about good and evil at the end of the film – in the scene between Luke, Vader, and the Emperor – is quite daft and un-thought-out. It seems to boil down to ‘being angry is evil’ – which is a rather stupid notion. Discussion around good and evil was actually something that the prequels were far better at.

And finally the reveal of Vader’s face at the end was perfect – a mystery set up with A New Hope, now finally revealed. It is only once Vader is redeemed by finally destroying the Sith that he has become human again. The way these films did the masked character trope should be thought of as the template for all other films that try to do this trope. (The Disney films tried to do a similar trope, but to minimal effect, because Kylo Ren takes off his mask in the first film.)

So this film probably had more things in it that I dislike than the previous two films did, but it still had plenty that I liked. All of the films in this series have their flaws – none are perfect – indeed, a lot of them have the same flaws. Missing or wrong reaction shots and stilted dialogue exist in all of the films. I’m not sure which film I like the best – I like all of them pretty much to the same degree. I think it would be a great series to remake one day – perhaps as a long-form television series – a lot of detail and continuity could be added to the story through doing that. But I don’t think that could be done by Disney – they have shown themselves to be completely incapable of managing the franchise – I don’t think they could remake the six Star Wars films without making the same kinds of mistakes as they did with their attempts at making sequels.

Star Wars: Episode V – The Empire Strikes Back – Review

On to Episode V – widely regarded as the best Star Wars film. Once again, the aim of this post is not to examine every facet of the story, and explain why it works – the aim is just to make some observations.

Firstly: world-building (probably my favourite aspect of fiction). The world-building in this film is excellent. This is something that I’ve said of every film so far in these reviews – and one of the things that I’m re-realising through doing these reviews – the world-building in George Lucas’ Star Wars is extraordinary. The real stand-out in this film is Cloud City – what an extraordinary environment – a city that floats in the atmosphere of a gas giant. It’s completely unlike anything we saw in Episode IV. It’s amazing that we don’t see this sort of environment more in science fiction.

Hoth is also an example of good world-building. That particular climate hadn’t been used in the previous film; we saw two unique species that live on the planet (the tauntauns and the wampa – and they weren’t just background filler or accessories – they were actually involved in the plot); we also saw several new pieces of technology used while on the planet – notably the ATATs and the ion cannon.

Han, Chewbacca, and Leia’s storyline in this film is an excellent example of realism and how to build tension. At the start of the film, Han and Chewbacca are trying to repair the Millennium Falcon. We see many shots of this and we get the sense that it is complex and takes a long time. This is realism. In the Disney films, when the Falcon gets damaged, repairing it doesn’t seem to be a difficult thing (which means that it getting damaged at all doesn’t add to the tension – it’ll just be repaired quite easily and quickly). Indeed, in this film, a big part of Han, Chewbacca, and Leia’s storyline revolves around trying to fix the Falcon’s hyperdrive, and trying to escape the Empire without being able to jump to hyperspace.

Vader gets tonnes of great stuff in this film. Even the details are great. I love the way we get a glimpse of what Vader looks like under the helmet – just a fraction of a second as his helmet is being put on. The first film sets up the mystery of what he looks like under the helmet, and this film gives us a glimpse, but no more. I also really like how Vader tells the admiral to take the ship out of the asteroid field so that they can send a clear signal to the emperor. This tells us that Vader doesn’t want to annoy the emperor – he doesn’t want the emperor to see any imperfection – he wants to show deference. This is a great way of signalling that the emperor is at the top of the hierarchy.

Also, Vader altering the deal with Lando Calrissian several times shows how the empire is used to getting its way – even when they make an agreement, they don’t have to keep it – they can just do what they want, and whoever they made the agreement with just has to go along with it. This is a great way of showing the power of the empire.

Everything with Yoda in this film is fantastic. The puppetry by Frank Oz is just outstanding – every time I watch this film I am amazed by just how much expression it is possible to put into the movement of the puppet. Despite it quite obviously being a puppet, it doesn’t break the illusion of the film. (This is quite amazing considering that in the Disney films, sometimes very detailed CGI does break the illusion.)

The opening sequence with Yoda I think is my favourite of the scenes we get with Yoda. That particular kind of whimsy – being willing to make himself look daft, quite the opposite of what a Jedi master is supposed to look like, in order to test Luke – is not something we seem to get from any of the other films.

Just like with the previous four films, some of the dialogue in this film is a bit strange. The entire conversation between Han and Lando when Han, Chewbacca, and Leia first land on Cloud City is very odd. The whole thing is stilted – as though when they were filming it, they didn’t have the other actor say their lines when one actor was doing their takes.

The interaction between Han and Leia is weird for a lot of this film too. A lot of their dialogue is quite cheesy – to some extent that’s fine – it was the eighties – they didn’t intonate words with as much precision back then. But also, Han is quite creepy in the first part of the film. Leia makes it very clear, multiple times, that she’s not interested in him, but he keeps leering over her. They get together in the end, of course, which makes it seem like Han was right to persist, but several times Leia makes it incredibly clear that she’s not interested in him – in a way that seems not at all ambiguous.

There is also one plot oddity that I was reminded about on this rewatch. Before Luke goes to Cloud City to try to rescue the others, Obi-wan and Yoda tell Luke that it’s a trap. This doesn’t seem to change Luke’s plan, nor does it change his mind about whether to go to Cloud City at all. This strikes me as odd – if I were told that something were a trap, I would very quickly change my mind about what I wanted to do. We see a similar problem to this in Episode III – when Anakin and Obi-wan get into Grievous’ ship over Coruscant, they realise that they’ve walked into a trap, but this does not change what they plan to do – they just decide to spring the trap. I dislike this in stories – when characters realise that something’s a trap, but it doesn’t change what they intend to do.

And finally another small detail I like is Admiral Ozzel taking the fleet out of hyperspace too close to the Hoth system. This allows the rebels to raise their energy shield in time. I like this because it hints that perhaps Ozzel was secretly on the side of the rebels. Perhaps he was deliberately doing things in such a way that gave the rebels the advantage in battles. This is supported by Vader saying ‘You have failed me for the last time, Admiral.’ – Ozzel has failed many times before, perhaps because he is trying to help the rebels. (Of course, he could instead just be incompetent.)

And that’s it for this film. I never got the Big Reveal moment (‘I am your father.’) when I first watched this film, because when I first watched this film I must have been twelve or something, and had seen various fragments of the Star Wars films out of order already. But this is an excellent film overall, with great world-building, some great character moments, and great details.